Friday 30 December 2011

The Angry Young Man Must Die

Oh how I will miss him!
But he must go
Only to remain in memory
But dead to the world
Dead to me
And yet I will miss him

He sure was
The ideal of my life
Taking the world head on
Fearless and restless
Anger and rage
Spilling forth generously
Yet a keen eye
Always looking out
For the Underdog
For the weak, the brokenhearted
On their behalf
Boldly proclaiming Heresies
Defending the helpless
Fighting their battles
Tired, and yet fuelled by anger
The anger flourished

The arrogant helpless
Didn’t even realise
That they were helpless
Proud in their helplessness
They turned against him
He reached out to help
But they twisted his arms
The anger roared
And those whom he defended
Needed to defend themselves from him

He took on the strong
Pushed their lines back
Gained respect
But even more hatred
They hit back hard
And drove him out
And the murderous anger matured
Its venom spewed forth
Harming everything
Relentlessly, passionately

Caught between the fires
The powerful mocked
The helpless agitated
Fighting to the left
Fighting to the right
Anger, oh anger, everywhere

That is why he must go
Small battles won
But the war long lost
He must die
The weak and the strong
Have already killed him
He must definitely die
The sun must set
Maybe in his death
Probably there is redemption
Anger is not passion
It destroys rather than builds
Passion possesses care
Anger is not vision
It blinds the farsighted
Vision is compassion
Anger is not motivation
It demotivates the most motivated
Motivation is but love

Anger births hatred
It is crude, harsh, destructive
There is no place for any anger
Even for righteous anger
No right to anger, nowhere
All anger destroys

That is why he must die
It is in his death that
The helpless will see wisdom
The powerful learn compassion
But for that he must die
And I will miss him

But the angry young man

Must die

Monday 26 December 2011

Being Robbed: Reminiscence of New Year Day 2011

What do you have for me, mate?
I have nothing for you.
Give me your wallet and your money
I don’t have my wallet and no money
Give me your money and phone
Or I will smash you
I don’t have any money
Give me your phone, now
Or I will smash you...

And I handed over my Nokia smartphone to the four hooded guys.

January the first, 2011 – I began this New Year by being robbed. I had been sitting on my couch and reading the whole day and even as I heard the clock chime 10:00 pm, I felt I needed a break and a walk. I love to go for walks, anytime of the day or night, as it provides the perfect setting to think and reflect, especially if I have spent the day reading and need to process the new in-fill of information. However I seldom walk in the winters, for obvious reasons, and this winter I had not gone even once for a walk – so this was my first walk. I changed into my tracks and jogging shoes and stepped out into the cold. I went on my regular route, walking down Fairacres Road, and turning a left on to Meadows Lane. I looked up and saw four guys walking towards and then past me. I didn’t take notice of them and continued my walk, with my head trying to make sense of my whole day’s reading of International Politics. My mind was completely preoccupied with E.H Carr’s fabulously written ‘The Twenty Years’ Crisis’, the 1939 classic which attempted to make sense of both the events as well as the theories and ideas concerning International Politics that were dominant during the interwar years (1918-1938), which just as unanticipated by the author, as me of my robbery, had become a founding text and the Bible of the newly evolving academic discipline of International Politics.

Turning a right on to the Donnington Bridge Road, I continued my walk. The January air was fresh and crisp but without the December chilliness that leaves the face stung, leaving a unique sensation which comes from being burnt by cold – fire and ice coming together. But this air was bearable and I rather enjoyed the lash of the cold breeze on my face. Up the Donnington Bridge and down, and then the road has a lonely stretch, with a farm on the left and woods on the right. I have done this walk many times and immensely enjoyed it every time. It’s like suddenly dropping out of the city and into the countryside and then equally suddenly, as properties reappear on both sides of the road, the city resurfaces. It is a short stretch, but takes you through another world. The familiar traffic signal looms large, from then on the Donnington Bridge road would become the Weirs Road, but then this is a good spot to turn back, and the round trip is just about the perfect distance for a short walk or a power-walk as some would say. I turned back and walked once again through the fresh countryside and up the Donnington Bridge. And then it happened – Four guys accosted me and I faintly recognised them as those whom I had earlier crossed on Meadows Lane. All hooded, and couple of them half-masked, and I heard a menacing voice – What do you have for me, Mate?...

I found myself not really afraid of them, but then they were four and I was alone. No one but us five on the bridge, not even a car passed by. What were my options? I could try and run – but then maybe they had a gun or a knife and it could get messy. Maybe I could scream and shout for help, maybe someone will hear me, or maybe not, as the bridge was completely isolate and none to hear me. Also, I didn’t want to have a prolonged encounter with these guys and draw their attention on to me and have them recognise me later on. As this was happening at close proximity to my home, the fear that, being recognised, they might pay me a visit another day was worse than being just robbed and the event forgotten. So I, without making any eye contact and without any act of aggression, sheepishly handed over my phone, fortunately my only belonging on me at that point.

I seemed rather bemused with the whole proceedings. It didn’t really hit me then that I was a victim of crime and was being robbed. It seemed like I was watching a movie clip, and the whole scene shot in less than 30 seconds. I have never been robbed face-to-face, so it was a brand new experience. It seemed surreal and I felt like a spectator, as one part of the audience, rather than being the unfortunate central character of the scene. It all happened so fast and even the memory of it continues to be very blurry.

I stood watching them walk away with my phone and then break into a run. I turned half-dazed and walked, walking right into a lamp-post. As I recovered, I saw 2 more men coming my way up the Bridge, one with a barking dog on a leash, a strange sight, and the other hooded. For some wild reason I felt that these two were part of the group that had just robbed me and so was confused if I should ask them for help. I pointed to the running guys and exclaimed to the two that they had nicked my phone. The hooded one replied that his battery was dead and pointed me to a guy walking on the other side of the road and told me to get help from him.

Even as I crossed the road, probably hearing what I had said to the two guys, the guy across the road stopped and waited. I pointed to him the fading figures of the still-running thieves, and told him that I had been robbed. His first sentence to me was, so are you warning me that I shouldn’t go that way. His words confused me and seeing my bewildered look, he asked me if I wanted to call the police with his phone? Even as I nodded, he handed me his phone. I bet he was equally confused with the sudden happenings around him and in being drawn into a situation he never anticipated. Even as he took his phone out, he made another puzzling statement, he said, I hope you won’t run away with my phone. Now I was really perplexed, but I bet he was more confused than me – so I told him to call the police himself with his phone, but he insisted that I take his phone. But I insisted back that he make the call himself and that I didn’t want to take his phone, but he continued insisting that I take his phone and make the call.

So I took it and asked him if he knew the number for the Police, and he nodded negatively. There we stood, watching the robbers fade into the dark and not knowing the number of the police to call. A number flashed into my blurred mind – 911. I was sure I had heard that number being mentioned for Police, on TV serials and crime movies – forgetting that most of these programs were produced in the US and that this probably was the US Police number, which it was (the UK Police emergency number is 999). But then that was the only number that made sense in my head and so I dialled 911. Amazingly, an operator was there to take my details and promised to sound the alert and send a police car over. As we stood waiting for the police to arrive, I handed the phone back and by then both of us had recovered our basic sensibilities and exchanged names and details. We found out that we actually knew each other. He was a Sanskrit student in the University and we had attended a few courses together and very recently had even attended a common lunch and exchanged pleasantries. He was another academic – no wonder both of us were so confused in real life!

The police vehicle came within couple of minutes with two constables and the next two hours was spent with the police filling out the Crime Report Form. The thoroughness of the Police system was impressive and the effective use of technology in offering the service of protection to the city residents appeared without flaw. Even as I sat with Gareth (the constable) in an over-heated room at the Police Station, trying to remember the event, and being quizzed for as many details as possible, I suddenly felt drained. I didn’t realise, but I had stopped answering questions – It just hit me that I had been robbed and the intensity of the experience of being intimidated by four blokes on an isolated road came at me with a gush. Gareth sensing my empty stare, gently asked me if I was alright. Even as I nodded, he exclaimed, that it is indeed a very unpleasant experience to be accosted by four guys. He reassured me that I had done the right thing and made the most sensible choice under the given circumstances. I asked him, if I should have done anything different and he replied that he would have done precisely the same if he was in my place. Slowly my confidence and humour returned and my normal chatty self took charge. I gave as many details as I could remember – phrases the guys had used and pieces of clothing they wore, just about anything that would help identify who they were, if not this time, at least at some future time. Once the report was finished, and my signatures taken, Gareth gave me his mobile phone and suggested that I call Vodaphone to block my number. Once all the formalities were completed, they were kind enough to give me a ride back to my home.

It is 3:20 am and even as I write this account, primarily to process the event for myself – I can see the blurred image of them four guys running away, running away with my phone, even as I stood rather confused and perplexed on top of Donnington Bridge with the Thames below me too frozen to flow. Even as the memory of this experience further blurs, it is the paradox of ‘victors running and victim standing’ that grabs my imagination...

Thursday 22 December 2011

Epistemology in a mid-Summer Night of 2008

I don’t want to sing this song to you
I don’t want to sit and hold your hand
I don’t want to dress up to take you out
I don’t want to whisper sweet goodbyes into your ears

The above chorus lines of an unfinished song seem to lament a relationship gone sour. It seems to convey a background picture of an angry defiant lover, sitting alone, who emphatically declares his lack of love and affection for the one he once loved. It does not kindle any special emotions within us except probably reinforce anger and echo similar feelings especially if we are found to be in a similar relationship status as the one that seems to be described above.

Let me change the background picture for you – here is a man dressed smart, holding the hand of his beloved, singing this song and whispering goodbyes into the ears of his dead lover who is waiting to be taken into the funeral carriage for the last ride of her life.

As I re-read the lines of the song again, my heart is now filled with a completely different set of emotions and I gasp and turn my eyes away. If I linger long enough over the words and try to imagine the scene created by the song writer, it reduces me to tears and creates an ache in the heart that does not want to go away. My heart reaches out for the young man and the life he is going to live without his loved one. For him to sing this song with such pathos, inversely reflects on the great love and affection they must have shared. The beautiful moments of togetherness, sweet whispers and boldly expressed emotions must have been the theme of their love. Even as he bemoans the end of this celebration of love, inwardly we join in with his cries and shed silent tears for bygone good times.

Suddenly my eyes flit back to the song lines and I stop: the intent of the writer suddenly seems clear, and my heart leaps up as revelation seems to hit me. It is not only not an angry burst over a broken relationship, it seems that it is also not really bemoaning wonderful yester-days and the beauty of celebrated love that has now been cruelly brought to an end with his death. It actually seems to be an expression of deep grief over the present task that the lover has to do – to take one’s loved one to the grave. Here she is being asked to play a most dreadful role asked of any lover – to be the one to take her lover to the grave. She dreads this and weeps over this task of walking with the love of her life for the last time and say final goodbyes and hence the words of this pitiful song spill slowly out of her mouth.

I can’t but help look above to read the song lines yet again. My mind wanders – could it actually be the first and last expression of a never-expressed love that was just too late and now with her death could only be expressed with words such as these? I see him just another face, one in the huge crowd that made up the funeral procession. Maybe she did not even know about his love for her. Or maybe there was just no death at all? Or maybe these are just lazy words of a song writer who is stringing words to fit a tune-recently-composed with an eye on the charts and the dollars that it may bring!

I forcefully put an end to my wandering thoughts. What do these lines mean, what do they 'really' mean? Or do they 'really' have to have a 'real' meaning!! And even if they did have a 'real' meaning, would I ever know?

Brainerd Prince
Before writing the section on Epistemology and Methodology

11:10 p.m. 28 July 2008

Sunday 18 December 2011

Yester-Year (2007)

Turn behind you
And then turn back
Close your eyes
And open them again
See the invisible
Catch the wind a dream
A dream that we were young again
In the land of the young
Where clowns with red noses
Horses without bridles
Children yelling and laughing, ruled
There was no sun to light the day
And no moon for the night
Stars plucked out from the sky
Adorned her neckline glimmering beautiful
Sparking under the black darkness of the night
The river was peaceful
As if standing to rest
Swaying gently to the sweet music on her shores
Grinning, smiling to all her yester memories
Old men and straight hatted women
Young lovers cuddling
Children screaming
All by her side
She watched them all
Through the dark corners of her eyes
Her eyes of yesterday
Re-living, life

Monday 12 December 2011

Strange Bedfellows OR Strangers in Bed

Hey, would you care to listen?
Whether we have known each other
For a day or a myriad of years
Whether we be strangers in love
Or eternal bedfellows
Whether every sight of the other
Tingle excitement
Or mundane ordinariness rule the day
Will you not reach out to squeeze my hand?

Each time I share excitedly the treasures of my findings
Even if words obscure and full of falter?
Will you not lend me your hearing ear?
Will your eyes not glisten with my stories?
Will you not reach to wipe the tears I shed?
And hold me tight each time I shudder?
Or smile knowingly even as I make faces?

It’s my pain that I share
Shattered visages of my ancestors
I am but my past
And it is my past that has been defied
Shrouded with the blackness of a full moon sky
Soiled in the trenches of London
Trampled by her majesty’s horses
In tatters I find my Self
Broken, squashed, darkened
My Self, the memory of my history
Can I dare to dream?
Of rewriting histories?
Of mending memories?
Of reconstructing my Self?

But how should it begin?
Where should it start?
If it’s my present that frames my past
Then won’t it begin with you and I?
I hold on as you brace me up
We tell stories, create memories
Talk into the night about the distant lands
About ancient cities, roaring warlords
The rich and the poor
The prince and the maiden
Of children crawling up to their fathers
Of babes clinging to their mothers
Suckling calves in the yonder farms
Stories of love, anger, pain
Tragedies of life

As we talk, laugh and wipe the silent tear
Memories refreshed, the Self strengthened
Then the lamb will lie with the lion
You and me, together, forever

Saturday 10 December 2011

The Dancing Mares (2009)

Out they came in the hundreds
Galloping, snorting, heads held high
Arabian, Ardennais and Akhal-Teke
Let loose from Odin’s own land
Messala’s and Ben Hur’s royal steeds
Thundering down Rome’s Circo Massimo

Chariots, coaches and carts in tow
Bridles and bits
Adorning their magnificent faces

Reaching Troy’s splendid gates
Dusted their hooves
Unhitched all trappings
Entered the Assembly
In grand array

The most beautiful of meetings
Horses, horses everywhere
All colours, shapes, all sizes
Without bridle without bits
Free from carriages, free from chariots

The king Stallion took his place
Brought the meeting to order with his hoofs
The most amazing of horse-music floated
Filling the expanse of the fresh Sunday morn

Wondrous of sights, graceful forms
The mares took to beat
Raising their front hooves
Balancing on their hind
One two three, one two three
The mares began to sway
The Tempo picked, the beat got louder
Mares and horses
1-2-3, 1-2-3
Faster and faster
Glorious, astounding
Oh, the dancing reverential mares
Sun down, lengthening shadows
The moon begins to rise
The gong sounds
The assembly dispersed
Through Troy’s tall gates
Outside its daunting walls

Bridles and bits back in place
Chariots, coaches and carts in tow
Back they galloped into Rome
Sunday is over, Monday is back
To drive and be driven
In Caesar’s land

Saturday 3 December 2011

Beaches of Bournemouth

As you lift your gaze and look at her
There she stands – majestic, elegant
Brimming with confidence
With Resilience and life
In her calmness
In the clarity of her deep blue self
You see creation in its magnificence
The immovable mover
The Being at its best

You take a step closer
Watch her in proximate spaces
Beneath the calmness
A million moves
A constant weaving of waves
From horizon to horizon
Her beauty stretches
Her joyous spirit
Bursting forth in a thousand shades
Exploding with wondrous energies
Dancing light steps on still shores
She is restless, moving constantly
Being is but Becoming
Change and movement
Through the process of time

The night draws in deep
The moon is out and loud
She takes hold of the winds
And makes them her own
Wave and wind in Rhythm
The most marvellous of music floats
Creation stands enchanted
Picks the beat of her spirit
Swirling round and round
Oh what an astounding sight
All of creation in tune
Singing and dancing
Laughter and joy everywhere
She lifts her head and smiles
The Shamrock Bar comes to life

The morning has broken
The sun peeps through the clouds
And sunlight skips upon her waves
The blue turns golden
A new day, a new beginning
Calmness reigns yet unleashed
Strength in silence
Storm in stillness
Being and Becoming
The twin existence of life