Saturday, 16 November 2013

Transforming Gratitude: Lessons from the Act of Writing

‘If someone gives you a present, what do you say?’ is an oft-repeated question that parents pose to their young kids. Soon after the third or fourth time of finding oneself in this situation and being asked the same question yet once again, the child, with a blush covering her face and her eyes capturing a hint of shame, replies, ‘thank you’ first to the parent and then, turning, repeats ‘thank you’ once again to that ‘someone’ who had put that beautiful toy in her hands. You, the generous bearer and giver of that toy, lean down to her and smile back a reply, ‘you are welcome!’ Hearing that, the little girl takes the cue and flees, clutching possessively her new toy and running to her favourite corner, where she is away from those loving prying eyes, eager to look at the gift, the beautiful doll now securely in her hands. Watching the child run out of their horizons, everyone else, standing nearby and witnessing this happy-ritual, turn to one another and break into small talk. Of course the talk is not about the weather, which incidentally should have been the focus of the conversation, even as heavy storms gather without a sound outside the double-glazed windows, but the conversation is centred upon the ritual that was just performed. ‘What a well-behaved, lovely girl!’ remarked an aunt. ‘Did you catch that joy on her face when she opened the present?’ murmured another. ‘I do like how Pete and Jane bring up their kids. Her “thank you” conveyed such genuine gratitude’, claimed the giver of the present. These social rituals not only perform the rite of giving within modern societies, but also function as sites of training of acceptable social norms and mores, particularly the expression of ‘gratitude’, for the next generation.

At first blush, the vignette painted above appears flawless, rather a model of how gratitude must be negotiated within any social space. However, while the rite of giving taught the little girl to say ‘thank you’ it did not in any way explore for her what ‘gratitude’ entails leave alone its significance. Probably, if you or I were asked the significance of ‘gratitude’, we too as well might fumble for words. ‘Of course gratitude is being thankful’ you would retort, but then that is just replacing one term with another. What does it mean to be thankful or grateful? Albeit, there is a difference even between these two terms and the meanings they embody. However, my interest here is not to indulge merely in linguistic or conceptual gymnastics, rather to interrogate the mantra of gratitude that accompanies the rite of giving within social life.

My argument here is that the understanding of gratitude has been reduced to a civil and moral value by a liberal ideology for which ‘thank yous’ and ‘sorrys’ are necessary to maintain the façade of secular well-being. Most of us are soaked within liberalism to such an extent, like a fish in water, that we are unable to even articulate it as a form of life, one tradition among many, leave alone critique it. These terms are used regularly within our liberal societies often as a mantra, performing a speech-act, within the performance of the larger rituals of giving and reparation respectively. These terms have been commoditised and perform as objects of social transaction through which social equilibrium is maintained. In the bargain the underlying processes and significance of a term like gratitude is lost to a generation that venerates the language of ‘thanks’.

‘Enough critique, come on, spill out the processes and significance of gratitude that you mention and yet continue to shroud’, you remark acidly. Of course you don’t believe that I have anything profound to add to the existing common understanding of ‘gratitude’. But, it’s my turn to retort, ‘my work is half done, if I have made you think critically about the term gratitude, something I am sure you have not done in all your voicing of thanks!’ I exclaim. Without giving room for derision, I start rambling about ‘gratitude’, of course, hoping, believing, that as the rambling progresses, new understandings will emerge, evolve, and become articulated. If there were other ways of renewal and transformation, books would be written on them, or maybe those books are indeed written and do exist. But even those works can hardly miss the fact that ramblings are precursors to revelation. I think it would be wise to cite some evidence for suggesting that one discovers what one wants to say amidst rambling about it, and that without rambling or writing out, one has nothing to discover, as there is precisely nothing to discover prior to the act of discovering which I claim here to be the ‘skill of rambling or writing’. Let me cite what the former Archbishop of Canterbury, Rowan Williams, the present Master of Magdalene College, Cambridge University, had to say about something similar to rambling or writing in pursuit of revelation or discovery:

Saunders Lewis, the Welsh poet, used to quote somebody saying – a child saying – "How do I know what I think until I see what I say?" and I have always resonated rather with that. And that means that for me in writing even a straight forward prose essay or a short book or a lecture, there is that awkward moment when, if you like, the engine is turning over a bit and you are wondering exactly at what point you are going to discover what the argument is. That's a warning really about the first four pages of everything I have ever written! But I think, again, it will ring bells in some of those who are trying to write. Writing isn't translating something in here onto the page. Writing is an act. If it were just transference, no doubt you could plug in the electrodes and something would neatly type up what was going on inside your head. I hope we never get to that point and I very much doubt that we ever will. But meanwhile writing is an act, it is an action of self-discovery and an action of trying to put something into being and so it is true of prose as with poetry. - 

Of course, I have gone on a tangent, to talk about the ‘act of writing’ while I should be writing about gratitude! However, this detour is not merely to justify my method or justification for how I aim to think about gratitude, rather, I claim that in this detour is found insights with regard to the processes underlying the language of gratitude that I would like to explicate. I would like to claim that there are three insights in the above quote about the ‘act of writing’ that reveal the mechanisms underlying the mantra of gratitude, which has unfortunately been forgotten in our liberal society that instructs on showering platitudes.

The first insight draws attention to the posture of enquiry preceding and enveloping the act of writing. Williams, elaborating the point made by the Welsh poet, Lewis, in ‘How do I know what I think until I see what I say?’ writes, ‘in writing…the engine is turning over a bit and you are wondering exactly at what point you are going to discover what the argument is.’ The insight here is about the posture of enquiry that is begging a discovery or a receiving or a reception. The stress is on the posture of ‘wondering’ in other words enquiring. I claim that writing is the most evident site of enquiry. When one picks up a pen to write, or settles one’s fingers over a keyboard, the primary posture one is adopting, often unconsciously, is the posture of enquiry. For words to appear and sentences formed, different strategies that come to horizon begin to articulate, different strands of thought take form, and even as ink meets paper or keys strike, these strands converge and an enquiry takes shape. I want to claim further that this posture of enquiry must be treated as an ontological posture, in which human life is lived. It is a certain way of being human, and perhaps one could say, that the primal human posture, irrespective of one’s waistline, is the posture of enquiry.

The second insight consolidates the posture of enquiry into a visible act of questing, and this is revealed in the Williams’ idea that ‘writing is an act’. This translates the ‘posture’ of enquiry into a ‘process’ of questing. The process begins with (a) an acknowledgement that there is nothing ‘inside your head’ that can be ‘neatly typ[ed] up’. It begins with the recognition of a lack. Recognizing a lack is not easy, particularly within a liberal tradition, which has neatly packaged knowledge and truth into ‘propositions’ that can be easily ‘transferred’ from one to another, accompanied with platitudes. But human life is a life of lack, a nothingness which seeks to discover and to receive, thus gravitating towards a gift. But this acknowledgement of lack must immediately be led or channelled into (b) an ‘act’ of quest, or as Williams puts it, an act of writing. But how is the act of writing an act of quest? Here Williams gives us a warning about the first four pages of everything he writes. He reveals that in them one would find the quest for discovery for the argument or proposition, for the assertion that he aims to make in his text. In other words, writing is the act of articulating and clarifying the quest. But how does this happen? The quest happens in the act of sifting through ideas, thoughts, being brought forward in memory, finding being even as fingers bang on keys, and thus questing takes place in the very act of writing. In the beginning of sentences, and the searching of words, and finding the appropriate words that complete sentences is an example of a quest in operation. This can be said of the beginning of paragraphs or even of articles and books, matter of fact any piece that is being written that they are driven by a quest that regulates the flow of thoughts and whose immediate satisfaction guarantees the completion of the piece. Perhaps that is why it is often said that books, be it theses or of any other genre, are never finished but have to be abandoned, and their endings have to be artificially constructed as the ontological questing continues to go on and is never exhausted by the written piece. There is a third element to the mechanism of questing, which is not explicit in Williams, but implicitly there by its mention. I am referring to the content of the ‘first four pages’ of what he writes. The content of these pages would reveal the (c) tradition of enquiry within which the quest takes place. The interlocutors and the concepts that are articulated and connected together, fabricated and constructed into Williams’ text reveal the ‘world of literature’ to which Williams’ own quest belongs and extends. It reveals the tradition which is not only inhabited by Williams but the tradition that is working itself out through Williams’ act of writing. It is both the tradition’s quest as well as a quest beyond the tradition, but only through the paths laid out by the tradition embodied in the ‘first four pages’ enacted out through the body of Williams. I am reminded of Nicholas Wolterstorff’s more or less ‘four-page’ Preface to his acclaimed work, Until Justice and Peace Embrace, which neatly lays out the questing reformed tradition, and Wolterstorff’s own quest embodying that tradition. It is worthwhile to cite here what he says about writing this book: ‘There is another reason as well for this emphasis [the emphasis on the Reformed tradition of Christianity] in this discussion. The Reformed/Presbyterian tradition of Christianity is my own, and these lectures represent for me an attempt to appropriate its social vision.’ Thus, we find that Wolterstorff reflexively writes that his questing or ‘attempt’ happens within the tradition of Reformed/Presbyterian tradition of Christianity. He cites a key Heideggerian/Ricoeurian mechanism in operation in questing: the mechanism of appropriation. He writes, ‘Appropriation of one’s tradition implies neither uncritical acceptance nor total rejection; it entails a discriminating adaptation of its features to one’s own situation.’ Appropriation as ‘discriminating adaptation’ of one’s tradition in one’s ‘situation’ of quest is the key insight in Wolterstorff. There is a dual process in progress in ‘discriminating adaptation’ – on the one hand the act of ‘discriminating’ which resonates with the idea of quest that we have been elaborating above and on the other hand, the content of ‘adaptation’ refers to the tradition that quests and through which the quest is embodied. Now, to summarize the three stages of the act of questing – it begins with (a) an acknowledgement of a lack, followed by (b) the act of articulating the quest, which in turn occurs through (c) the mechanism of appropriation within a tradition of enquiry.

The third and final insight is about the reception of the gift which Williams articulates as ‘an action of self-discovery and an action of trying to put something into being’. If we began with the posture of enquiry, of wondering, which translates into an active questing within a tradition of enquiry driven by the recognition of a lack then appropriation as ‘discriminating adaptation’ must culminate with a finding. If the lack is truly felt, and the quest is authentic in its search, and the mechanism of appropriation is sincerely followed, then of course, there must be recompense, a satisfaction, a finding. This finding on one hand has to be a self-finding, because it is the self that is questing and therefore the discovery and the finding has to be made by the self. It is a discovery that the self makes or ‘self-discovery’. But where does the content of the discovery come from? This is where Wolterstorff’s ‘adaptation’ kicks in and therefore it is equally about bringing ‘something into being’. The being of the ‘something’ is the content of self-discovery. To make some sense of this we will have to at least for this moment discard the subject-object divide that we are trained to think within and see the integrality of ‘self-discovery’ as the ‘being of something’. The being is of course the self’s being in the discovery, although the ‘something’ that is discovered and gained being has come from elsewhere. I would like to call it the ‘gift’ – a gift that has been received in the questing and discovering by the self. The constraint of the gift is the tradition within which one is questing and the adaptation of the tradition through multiple processes of dialogue brings the gift into one’s horizon. The gift is both within the self and without. It is the conjoining of the inside and the outside due to the nature of our ‘porous’ self, a la Taylor, thus the reception of the gift and also the limit of the present gift as the gift itself is contingent on appropriation and indeed future cycles of appropriation and adaptation are yet to come. I have mentioned the idea of dialogue which I would like to claim as the deeper mechanism underlying appropriation and adaptation, but the mention alone would suffice for our purposes here.

I hope I will not be asked – what has this meditation on a piece of text from Williams, on writing, got anything to do with the rite of giving and the mantra of gratitude – precisely because, I hope, one has been able to recognize the inferences that I have already been drawing albeit implicitly between act of writing and the act of gratitude. But of course, the implicit will have to become explicit and take being. Therefore in conclusion, I will revisit the problematic of ‘gratitude’ in light of these three insights from Williams, with a hope that we can transform gratitude even as authentic gratitude transforms us.

What the opening vignette failed to reveal was the state of affairs after two days or after a week of the performance of the ritual of giving. The evidence of this can be attested by any parent. The doll, however pretty, is now lying in a corner or under the bed, and the child is waiting for the next gift, a new toy, a new wonderment to be beheld and embraced. Now, this is not just about children, we can recognize this boredom with toys, however expensive or beautiful, in our own selves. What does this ultimately mean – in spite of the rite of giving and the rituals of gratitude, the gift has not satisfied one’s quest and longing. Here is where I claim that the liberal teaching of gratitude in our societies enacted in our vignette cheapens gratitude and plays a negative role by making invisible the larger process of questing in which the reception of gifts plays only a minor part. The reception of the gift has to be seen as an end to one performance, one cycle of questing, a cycle that will have to be repeated a million times during one’s life time, and each time with a hope of receiving a better gift. The easy language of gratitude keeps invisible both the posture of enquiry and the act of questing that precedes the reception of the gift. So what am I saying? Simply this – No quick ‘thank yous’, rather a focus on enquiry and quest and probably even an evaluation of the gift received and its ontological worth. I claim that this will be an antidote to the superficial gratitude our social exchange is so full of, while often accompanied with the cheap gratitude is the simultaneous despise for what is received, precisely for the lack of fulfilment and satisfaction the gift brings; and no wonder soon, the gift finds its place under our beds. But if the reception of the gift aligns itself with our enquiry and quest, then even if the gift has only provisional value, it plays a powerful intermediary through which the quest progresses, a tradition lived, and life discovered and perhaps it would be worthwhile for our social rites and rituals to train our children in precisely these skills which precede the reception of the gift so that the gift in turn would fulfil its intention in the receiver’s life journey which itself ought to be seen as a quest of a greater life, a life that is indeed lived beyond death.

16th November, 2013
Brainerd Prince

New Delhi

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